The Last Works of Henri Matisse: Large Cut Gouaches

By Henri Matisse, Monroe Wheeler

Caliber full-color test of this wonderful publication on Matisse's final works with paper. very great and inspirational. prints are of compatible caliber for developing bootleg Matisse silk screens!!! not only an booklet yet a company chance

book has complete colour and b/w illustrations/plates. revealed at the same time with a Matisse retrospective.

i will most likely add extra matisse....
A booklet illustrating many of the huge scale artwork of 1 of the main recognized artists of the twentieth century. As Matisse's eyesight started to fail, he set to work on huge collages reduce from paper lined with shiny gouache- whatever he may see despite bad imaginative and prescient. striking works.

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Swimming Pool. layout for wall ceramic. (1952). 7'6 half" x 53'11 34". deepest *25 The assortment. B—C pis. III. *34 Wild Poppies. layout for a stained glass window. of colour part (detail); pp. 32-33. *26 inner most assortment. Nude III. of Pocantico with Oranges. (1953). 60 x 42". PriIII. III. pis. N— O of colour lection. III. adaptations glossy "30 keepsake of Oceania. 1953. assortment. inner most window. Museum III. D pi. The modern Arts. reward of Mary Lasker starting place. p. 35. *32 The Acanthuses. layout for wall ceramic. (1953). lO^/a" eler, Basel, III. x tion. (1953). III. n'6Y4". Galerie E. execution Musee artist. in appliqued textile, (c. 1950). Matisse, Nice-Cimiez, France. III. pp. 12,13. forty layout for The Museum of contemporary paintings, ny Exhibition Catalogue. (1951). 10 5/8 x 15% ". The Museum of contemporary Bey- 8'8V4" x 37". deepest collec- p. forty two. York. present of the paintings, New York. p. 39. *33 The Vine. layout for a stained glass win- dow. in 25%", with mild size). The Museum of x du Rosaire des Dominicaines de Vence, Alpes-Maritimes, France. For Dallas the Albert and III. New p. forty three. of 20 pochoir plates sixteen% (sheet artwork, III. the Chapelle of layout for a stained glass 1953. 9'4" x 9'4". for Album York. *37-39 3 designs for Church Vestments for colour part. Ivy in Flower. New Gouache and crayon on cut-and-pasted paper, 9'4 3A" x 9'4 3A". diameter. assortment Governor Nelson colour (stencils), p. 38. reminiscence in 36 jazz. (1947). *29 The Snail. 1953. 9'4 3/4" x 9'5". deepest col- York, in Rockefeller. (1954). 6'4 3/8" Abby reduction wealthy A. Rockefeller, part (detail); pp. 40-41. New Hills,- of p. 34. inner most assortment. Window, Union Church *35 layout for Rose pp. 26-27. *28 huge ornament with mask. layout for wall ceramic. 1953. 11'7 34" x 32'10 34". forty six W pp. 36-37. 1 vate assortment. *31 III. girls and Monkeys. (1952). 28"x9'4 /i". inner most assortment. *27 Gouache and crayon on x H'2 1/^". (1953). cut-and-pasted paper, 31 forty-one layout for Jacket of Matisse: His artwork and His Public. (1951). 10 5/s x 16%". The Museum of smooth artwork, New York. A Creole Dancer. 1950. Gouache and crayon on cut-and-pasted paper, 6'8%" x forty seven W. Museums B-C of town of great, France. The Swimming Pool. layout ramic (detail). (1952). n 7'bV2 for wall cex 53'11%". inner most assortment. D keepsake of Oceania. 1953. Gouache and crayon on cut-and-pasted paper, 9'4%" x 9'4%". E inner most assortment. Blue Nude, The Frog. (1952). fifty five Vi x 52%". deepest assortment. F-G Sorrows of the King. 1952. 9'7 l/4"x12'8". Musee H INDEX OF colour PLATES nationwide d'Art Moderne, Paris. status Blue Nude. (1952). forty four Vi x 29". deepest assortment. I Blue Nude with Flowing Hair. 1952. forty two V2 x 31V4". deepest assortment. the colour reproductions during this quantity have been made via Fernand Mourlot in Paris. As in these J Nuit de Noel. layout for a stained glass window. 1952. 10'7"x53 l/2 '. The Museum of recent artwork, manhattan. present of Time , made in the course of the artist's strokes noticeable within the lifetime, the comb gouache paint of the orig- were passed over, Matisse having conceived the designs in natural flat colours.

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